The Witches Are Coming

Buchzusammenfassung

Lindy West is an American writer, comedian, activist, and – above all – outspoken feminist. As a cultural commentator she’s written extensively for outlets like the New York Times, the Atlantic, and Gawker. Her first book, 2016’s Shrill: Notes from a Loud Woman, was a New York Times bestseller and adapted for television by HBO.

Joan of Arc, the Sanderson sisters from *Hocus Pocus*, and Donald Trump all share the label of being victims of “witch hunts,” though the term’s meaning has evolved over time. Historically, witch hunts led to the brutal persecution of women, while today, figures like Trump and others co-opt the term to describe facing consequences for their actions. This shift reflects broader societal dynamics, including the #MeToo movement, where men accused of harassment often claim victimhood. These gendered double standards extend into pop culture, as seen in Adam Sandler’s films celebrating male mediocrity and society’s romanticization of figures like Ted Bundy, while accomplished women like Hillary Clinton and Elizabeth Warren are scrutinized for their “likability.” Calls for civility, like those surrounding Chip and Joanna Gaines, often mask deeper injustices, such as the stigmatization of abortion, which remains a contentious issue despite efforts like #shoutyourabortion to normalize it. Wellness trends marketed to women further highlight systemic inequities, prioritizing appearance over accessibility to healthcare, while privileged individuals are urged to use their resources for collective good. Comedy, too, faces scrutiny, as figures like Louis C.K. and shows like *South Park* reveal how humor can perpetuate harmful norms under the guise of irreverence. Addressing these issues requires dismantling patriarchy and other oppressive systems, with men and privileged groups taking active roles in creating meaningful change.

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